![who is the girl in ne yo one in a million video who is the girl in ne yo one in a million video](https://au.rollingstone.com/wp-content/uploads/2020/09/ne-yo-tiktok.jpg)
Ditto for "Beautiful Monster," the first video that nods to Libra Scale's narrative of garbagemen-turned-heroes-as long as they surrender on love. "Champagne Life," the theme song for the promotional tour? A video's been up on YouTube since July 15. A bottle girl in a corset lights a sparkler strapped to a bottle of Hennessey, but there aren't any whales at the table where she's headed, just a girl in a very short dress who is going to be awfully dehydrated if she drinks all that Red Bull by herself.Īnd the thing is, it's not like we have to show up at Josephine's to get a sneak peak of Libra Scale. Girls shake their hips sarcastically in between empty reserved couches, a party photographer urges us to clink our glasses together, and we're the only ones who don't ask to review our snapshots.
![who is the girl in ne yo one in a million video who is the girl in ne yo one in a million video](https://i.pinimg.com/originals/f9/8f/fd/f98ffd14ad1fc5e5cdd51f9d978f4571.jpg)
Credit to Moet & Chandon, who kept the Nectar Imperial Rose flowing in that odd interstitial hour before we had the critical mass that let us pretend we were having a good time.īut instead of pressing up against a stage, jockeying for position, the crowd in a club has to simulate pleasure without expressing impatience. Ne-Yo was supposed to be there to give us a taste of his new record, Libra Scale, and maybe sometime after 9:45, he made it to the Josephine, where the rest of us had been drinking Moet for two hours and 45 minutes. Yearning is part of the experience: we hope, we get annoyed, we hope again, and finally, He or She arrives.īut at a club, as part of a crowd, the dynamic isn't the same. An hour, or an hour-and-a-half between sets is entirely unsurprising, even if-from the perspective of an audience staring at an oft-empty stage, unable to understand the technological fiddling of the crew who flickers back and forth across a stage-they delay feels inexplicable. No opening act actually makes it on stage at the hour a show is supposed to start. We live in a world where we're accustomed to waiting on musicians. If all those things were true, then I probably wouldn't show up when the party started, or three hours into it either. If I were Ne-Yo if I had an intriguing concept album due out on October 5 if I'd already dropped a couple of terrifically promising songs and video from said album if I was, under those circumstances, booked on a seven-city promotional tour with a champagne company that took me to a deeply mediocre club in Washington, D.C.